Golden me and the golden light. [Source – Pixabay]
*
Four giant steps forward and six steps sideways, a room with no window, locked in it forever.
The thoughts buzz tirelessly, not letting the music of a quiet mind to settle.
The walls are painted daily, it shouts ‘I blame you’ boldly.
But there is light, it comes from underneath the door, sometimes mixed with the chirping of the birds. It fills the jail with a happy calm light. It does.
And the key, kept on a tiny table beside the door, never moves itself to unlock the door. It just waits.
Amusingly, the happy calm light never ceases to be. It wishes us to breakout.
Pale Blue Dot by Voyager 1 Space Probe. [Source – Wikimedia Commons]
*
We, this people, on this small and drifting planet
Whose hands can strike with such abandon
That in a twinkling, life is sapped from the living
Yet those same hands can touch with such healing, irresistible tenderness
That the haughty neck is happy to bow
And the proud back is glad to bend
Out of such chaos, of such contradiction
We learn that we are neither devils nor divines
*
This excerpt is from a refined piece of poem by Maya Angelou which shared then and is sharing still the truth.
We all call a pale blue dot in this magnanimous universe our home, and then we forget. For what else can it be if not weak memory that we repeat the same blunders and invite catastrophes?
We are full of contradictions, we are the chaos, we are neither devils nor divines… and yet we are the miraculous, the true wonder of this world. Why?
Because we can think, we can create, we can sing and dance, we can understand the science behind everything, and we can write a poem to share with everyone A Brave and Startling Truth.
Because deep down all each one of us want is peace. Yes, but only if we remember… if we remember to think.
*
When we come to it
We, this people, on this wayward, floating body
Created on this earth, of this earth
Have the power to fashion for this earth
A climate where every man and every woman
Can live freely without sanctimonious piety
Without crippling fear
When we come to it
We must confess that we are the possible
We are the miraculous, the true wonder of this world
An office room, yellowish wallpaper, green warn-out yet full of warmth carpet, dark brown wooden chairs, small tables and an old drawing board. The man sitting and illustrating is also jazzing, listening to the melodious record ‘In Walked Bud’, relishing the classic Monk effect.
The surprising and free rhythms touch his soul and soothe his forehead wrinkles. Piano teases sweetly, bass and saxophone builds a smoky castle in the air and the drum beats make him spill the rum.
He laughs and continues drawing, with two colours maximum, he walks the jaunty jazz path.
Paul Bacon
And he did it till the very end. He was Paul Bacon, an amazing American album and book cover designer and also a jazz musician.
With a decent dose of technology available at that time, he drew all his designs by hand (used photographs for some of his album covers) and his minimalistic book cover style – bold title, author’s name and a symbolic image – known as the ‘Big Book Look’ became famous in the late 50s.
Paul Bacon designed around 6,500 book jackets, some of them are –
Giving this crazy classic a crazy touch.
Psychedelic soft colours
A twisted touch.
Visions… on the road.
The ‘R’ sways like a flag. Subtly symbolic.
Intense look.
And we are cornered.
American dream, just a fable?
BOLD!
The most beautiful map.
We did?
The Asian saga, part one.
Bold colour for the bold classic.
Living in the golden jazz age, attuned to Bebop, Paul breathed his passion for jazz into his illustrations. Apart from the name of the composer, it was upto the designer to catch hold of as many jazz lovers as possible, to reach out and rule.
Paul’s magic worked without fail. The album covers reflected the mood of the music enclosed in the round disc beautifully.
Paul Bacon’s first album cover for the company Riverside.
How powerful his work is! All the illustrations are no less than a wonderful jazz composition.
Strong and straightforward designs that play the voice of the artist! He carried the charming jazz era within him without any embellishment to glorify it; he was just a true lover of the jazz music.
Things are looking up (2002) – one of Paul Bacon’s two albums.
To read more about the fabulous Paul Jazz Bacon, click here.
Check out the track In Walked Bud, by Thelonious Monk here.
Running lines, zigzag running lines fuel the mind often. Like lost in a busy city, burning with shiny lights, where no one knows whether it is day or night, I am lost walking, running, gliding on a zigzag path.
Neither snow white wintry nor swoony soft summery winds can be heard here, who knows why.
All I can hear is the hub-dub of my heart.
Trapped in this maze, facing dead ends and memory monsters, I solemnly walk ahead. And after an endless time passes by, I walk out of the maze. Exhausted, yes, but hopeful, why, for I kept walking.
Looking back from the mountain top I can see a cloud of zigzag lines, an imprint of time, a link between battles and victories, between a structured confusion and a messy exuberance. Ah! It goes on and on.
My heart is eager and my mind alert for the future to reveal itself.
I am not afraid anymore for the zigzag lines are transparent and always in a rush.
Those childhood days gone by, gone by in playing, playing hide and seek, ice-water and cycling, cycling all day long like a crazy fool and laughing, those childhood days gone by eating candies and ice creams, hopscotching and skipping ropes, flying kites, strolling aimlessly, gazing at the sky, merry minds flying high, those childhood days are now a dream.
I remember, I still do, Aru and I were sitting, Pinti was roaming around as always; Aru was talking non-stop, sharing one of her charming stories, a feature film story I must mention – our protagonist, a little girl, the best detective in the town, begins her quest, she is looking for some stolen bright precious stones – we paused the story and went to play hopscotch with Pinti, she had re-drawn the rectangle-y pattern for us, sweet Pinti, we talked and played, then followed the clouds, just when we were about to get hold of the moody clouds, they turned and shouted, “peek-a-boo.”
We screamed and ran back, but could not out-do the rain bullets. And then… then we guffawed and danced in the rain, I remember.
Those childhood days gone by were full of dreams, dreams of the future, pocket full of adventure and sweets and joy and endless playtime… those dreams were of the future, a hidden gold chest…
Through those dreams we time travelled and blushed, knowing well that we have to wait a bit before we discover this treasure… we treasured the future and waited.
Those childhood days gone by, what a sweet melody… the future we still dream of, what a happy idea…
And what is left is the present, this very moment – quiet, true, rudely true, factual and boring, but euphoric if grasped and powerful enough to change everything, the past as well as the future.
Take the golden thread I say, take it and chart the course, know that it will not break for it is tied to you, you of the past and you of the future.
Mirai is a Japanese animation film written and directed by Mamoru Hosoda.
A truly beautiful and emotional film, it is a must-watch for it is a piece you need to get hold of to solve this jigsaw puzzle called life. It is beautiful!
A touch of the moon colour and this life will glow and slowly will it know of a love story so pure that has travelled a long distance facing boldly every storm that has become a norm, followed by all, the same ones who secretly, meekly hope for someone to rise, rebel and risk it proudly, showing the world that a heart beats in every being, a heart that falls irrefutably in love, in love with a smile, a gesture, the earth, the sky and the moon… all this life needs is a touch of the moon colour.
It talked to me and I listened quietly… it talked about the rugged old path that awaits coming of the travellers… travellers who are in the search for a new land and a new sky, a fresh start full of hope; the smoothened grass and dry pebbles, the inquisitive birds and the pleasant wind, the old temple and the thatched huts all count the footsteps and welcome the happy hubbub.
It talked about the decrepit palaces hiding its mysterious past from the sharp gazes, waiting for the patient one to stop by. The glorious lives and horrific battles have so much to share.
The flora and fauna sang a soulful tune, absorbed in it and lost in the moment. The jungle painted the sky with leaves.
It talked about the people, their traditions, their beliefs and their stories; that look, that frown, that toothless smile, that gnarled nod and the dancing feet spoke to me and I listened quietly.
And I found out then, how magical the ordinary is.
Endless footprints following footprints/
When suddenly a few of them rise/
To bloom like a flower.
Greetings!
A storyteller, following the ancient tradition of cave chroniclers, standing in vrikshasana (the tree pose) on a hill top (it is sunny, but windy), breathing in and out stories (relishing it all, but at times overwhelmed), declares animatedly that she will continue to – tell stories, share rare story gems, and connect with the pacy universe while also keeping the website ad-free.
Big thanks to my readers. Stay tuned!
Also, a humble request to the new subscribers to check the spam folder after subscribing. Silly (but necessary) confirmation emails often land there instead of the bright inboxes. Merci!
Ya-hoy!
Chiming Stories (formerly Home Chimes)
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Gabbeh, the 1996 film, is a simple tale of a gipsy girl, her clan and the way their life goes on. Unfolding beautifully just like an artist painting a canvas, Gabbeh quietly touches the grand questions.
Ranked as one of the greatest British films of all time, The Lavender Hill Mob confides in the audience, letting them see, feel, laugh and think without tickling persuasively with a joke here and a punch-line there.
Godard… Breathless and Alive
A Tribute to Jean-Luc Godard, the Film Philologist who Reinvented Cinema.
Yes fly! For walking on the second track is dull and usual, but dreaming high, high, high requires tools. Tools like the right pair of shoes, a chirpy, gritty soul that eats butter-jam dreams, a soul that drinks milky-milky creams.
Silver cascade shimmering the night sky, music to the waves and surreal beauty to the eyes, the Moon loves the art of discipline.
It may be difficult to believe for the Moon’s splendour defies time, it stupefies the clock, it follows the path of a dreamer, but how could this be possible if the Moon knew not discipline?
In this moment, I am a little bit of this and a little bit of that, I am complete and incomplete, I am pleased and uncertain, I wish for nothing and I know I have to wait.
Because the distance covered reminds me of the hurdles I have crossed and the ones I could not, it reminds me of a throbbing past and a dreamy future and it reminds me of how much time is left.
Meredith and the Green Lake
Illimitable Splendour
A joy so complete without any rise or fall, so free without any time corners, so real without true being false, false being true.