Half-turn, a twist, a glimpse, a yawn, a nod, tttttap-dance-walking towards the kitchen. Joana hugs the kitchen and smiles, red cheeks like the monkeys.
Outside, Punnu and Zeenz, the two llamas, leave without registering a rhyme or reason, tttttap-dancing on the snow, in joy, in ignorance, going left to the right, to the gate, towards the green.
There, before sipping butter-tea, granny declares it is cold, but not as cold as it was then when she had stepped-out in her youth to give little ones in the barn a check, a hi, a pat, a slap, a rebuke, a hug and lots of love, for they are family – she cries and sips the butter-tea and continues to tell the stories of her youth. Go now, girlie! Move-o-move!
Joana side-stretches to pick the muffin and relishes it as granny peeks outside the window. It is snowing, she asks. Joana shakes her head, mouth full of muffin and sips the butter-tea.
Granny chews a sentence and plays with the tiny spoon and her cup.
Intuition, sixth-sense, hen-pecking – granny startles herself – cries, go check on Zeenz and Punnu, girlie go now, move-o-move! You!
Keeping the empty warm cup aside, Joana front stretches to get up and then back stretches and takes a pause, becomes a statue, sleepy sleep tickles her.
Kkkrrr!! Wooden door flung opens, Joana is thrown out, granny hen-pecks the furniture, it cries, kkkkrrrrr!!
Huh! Huh! Joana freeze-walks to meet her woolly family – the sheep, the two rabbits, the two llamas.
Now there, clap-clap-clap! Think sunny rays, it is still day. Decision – to rush back inside and sleep! Oh yeah!
Oh no-aaah! Punnu and Zeenz are gone!
Before granny could know, could strike, could shout and strike, could curse and strike and punch the air, and blame the lords, ladies and measuring scales, for she is poor with numbers, Joana runs to look for, catch hold of, bring back the two llamas.
Living in a quiet and slow dust storm, I wonder if I am moving at all. Just as I approach the wall, it becomes dust and so does everything else.
What makes me thirsty? Is it the sound of future, my desire to see it or the knowledge of nothing? Sliding, swaying, fumbling I reach a well and quench my thirst happily.
Often a friend guides me, though, who borrows memories from whom isn’t clear to me as of now. But I am sure of my useless attempts to gather the dust after it is all gone.
Standing still I come across a sea of mirrors, I choose one and take the place in front of it. I tell myself I am ready to take the dive, the mirror repeats my words and then without a sound or any movement, I turn into dust.
Dance and sing and twist and turn and joy and love! [Source – Pixabay]
*
I enjoy my handwriting these days. Rough, crude yet in a smooth flow is what I can term this style of handwriting. Each letter in the alphabet and every word in the sentence appear to be living to the fullest.
The ‘I’s and the ‘E’s gleefully try to tell me a funny story but cannot stop beaming. And all the ‘T’s look so tranquil as if they know everything. The ‘W’s and ‘B’s are acting fancy for some reason, they happen to be doing the twist. The ‘H’s don’t seem to be any different, they look just as happy as they always did to me.
Really, every word gives an impression of being happy with itself.
I am not reflecting on the fact that whether my words are happy every time I write or not, because I am simply very glad that it did happen. Quantity doesn’t matter, quality does.
It has also got something to do with the writer’s relationship with her words, her style of handwriting, her ideas, her life. Every little moment of connection is worth cherishing. And why not, when we all give so much attention to the little things that irk us, little things that make us smile should also be acknowledged.
Pour down your thoughts and then read them, you will get an answer. Yes, that too without knowing the question.
I am joy running free/
freely flying, fluttering, soaring in a valley/
Of joy am running free.
Greetings!
A storyteller, following the ancient tradition of cave chroniclers, standing in vrikshasana (the tree pose) on a hill top (it is sunny, but windy), breathing in and out stories (relishing it all, but at times overwhelmed), declares animatedly that she will continue to – tell stories, share rare story gems, and connect with the pacy universe while also keeping the website ad-free.
Big thanks to my readers. Stay tuned!
Also, a humble request to the new subscribers to check the spam folder after subscribing. Silly (but necessary) confirmation emails often land there instead of the bright inboxes. Merci!
Ya-hoy!
Chiming Stories (formerly Home Chimes)
P.S – Supporting a storyteller is good for the world’s health (and undoubtedly, for the storyteller’s health as well). Shower some love by sharing, commenting and subscribing to the Weekly Newsletter.
Gabbeh, the 1996 film, is a simple tale of a gipsy girl, her clan and the way their life goes on. Unfolding beautifully just like an artist painting a canvas, Gabbeh quietly touches the grand questions.
Ranked as one of the greatest British films of all time, The Lavender Hill Mob confides in the audience, letting them see, feel, laugh and think without tickling persuasively with a joke here and a punch-line there.
Godard… Breathless and Alive
A Tribute to Jean-Luc Godard, the Film Philologist who Reinvented Cinema.
Yes fly! For walking on the second track is dull and usual, but dreaming high, high, high requires tools. Tools like the right pair of shoes, a chirpy, gritty soul that eats butter-jam dreams, a soul that drinks milky-milky creams.
Silver cascade shimmering the night sky, music to the waves and surreal beauty to the eyes, the Moon loves the art of discipline.
It may be difficult to believe for the Moon’s splendour defies time, it stupefies the clock, it follows the path of a dreamer, but how could this be possible if the Moon knew not discipline?
In this moment, I am a little bit of this and a little bit of that, I am complete and incomplete, I am pleased and uncertain, I wish for nothing and I know I have to wait.
Because the distance covered reminds me of the hurdles I have crossed and the ones I could not, it reminds me of a throbbing past and a dreamy future and it reminds me of how much time is left.
Meredith and the Green Lake
Illimitable Splendour
A joy so complete without any rise or fall, so free without any time corners, so real without true being false, false being true.
