Jagriti Rumi
Nataraja
Coverage

[Image from Pixabay]
A static symbol of the dynamic universe, an illusion, Maya, moving rhythmically, revealing in an instant the unfathomable divine, the perfect balance that creates, preserves, destroys, incarnates and liberates, the Nataraja, performing the ultimate dance, is a magnificent work of art that reflects the cosmos – the beginning and the end of the cosmos, the music of the cosmos and the soul of the cosmos.
The Nataraja sculpture represents all – the destined journey, the tragic fall, the glorious victory, the dance in time and timelessness, the poise and elegance, overwhelming stillness, reverberating brightness, brilliance, power and enlightenment. In a single spectacle, it shows what was, what is and what will be.
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[Image from Pixabay]
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Shiva Nataraja, the King of Dance, dances on Apasmara, a dwarf, crushing not him, but his ignorance, forgetfulness and limited vision of self, hence freeing his soul from bondage. Four armed – with Agni (flame) to demolish in one, with Damru (drum) playing the tune of time in second, making the Abhaya Mudra (the sign of fearlessness) in the third, thus bestowing power to be without fear, and the fourth in the Gahahasta (elephant trunk) Mudra signifying supremacy over ignorance – Nataraja is the embodiment of all the vigorous flux in the outer world and the serenity in the inner world as he dances the dance of bliss, Ananda Tandava, continuing the harmony of life and death in the cosmos.
Prahabhamandala, the arch of flames within which Nataraja dances, is the manifest universe, making the cycle of birth and death, burning with sufferings and illusions, apparent.
Also, a ring of consciousness that is in agony as it’s blinded by temporary ideas, unaware about the permanent dance of bliss. Oblivious of the Kundalini Shakti (the cosmic power) – that the cobra around Nataraja’s waist represents and is believed to reside in all – the unconscious mind walks cyclically.
Lotus flower, representing the creative power of the universe, forms the pedestal on which the Nataraja dances, celebrating in full zest the dance of true freedom.
Omniscient, omnipotent, omnipresent, the Nataraja does a dance that occurs ceaselessly in every atom, sending waves in the cosmos, waking everyone from the dream world to witness reality and truth, destroying the phantom world full of phantom pains.
Neutrality and peace on Nataraja’s face – the One dancing in frenzy – mirrors the magic of the master who dances within the universe of illusion, but stays beyond that universe. In a palpable language, the Nataraja declares the way the soul can rise from its bonded life and with equality seeping within, can see and participate in the cosmic dance.
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[Source – Wikimedia Commons]
This marvellous sculpture amalgamates supreme power and action with absolute bliss and beauty, radiates the delicate balance of the cosmos and magnifies the close connection between the One and the many. Nataraja, Mahakala (the Lord of Time), with continuity and change flowing throughout becomes an opportunity to understand the sublimity of Maya and work a way out to reach the immutable Presence.
The Nataraja is excellence. Meditating on it is achieving its essence. Its essence is pure excellence.
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[Source – Wikimedia Commons]
Hundreds of years ago, Indian artists created visual images of dancing Shivas in a beautiful series of bronzes. In our time, physicists have used the most advanced technology to portray the patterns of the cosmic dance. The metaphor of the cosmic dance thus unifies ancient mythology, religious art and modern physics.
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Now Is Forever
Observation

[Image by Jonathan Reichel from Pixabay]
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Walking ahead, though the past was slightly askew, she unlearned many things for good, sighing and laughing at her funny plans, she heard the silence completely and asked herself to stop feigning.
Tiresome, but still hopeful, she accepted the confusion. Forgetting fear on the way, she dreamed about the mountains with her eyes wide open. Dense fog passed by, saying nothing, approving nothing, just making her smile a little.
The tall pine trees reverberated with continuity and change, thus affecting her. Rocks, stones, pebbles all are very jolly, she wrote in her notebook.
And now she sees the stairs. The question arises… not whether she will or will not, but how truly. Walking, but how truly?
This is to be realised on the way, she tells herself.
Stopping, as her mind was moving too fast, she breathed… the air deftly hushed her talkative self and so she listened… listened truly, completely.
Now is the time to live, now is the time to act, now is forever, at least till I am.
Point taken, she walked ahead humming a soft tune.
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Ethos Pathos Logos
Ethos
The Queen, clearing her throat soundlessly, said to the ministers, in a poised tone, that she cannot care less about De Mallow’s missing dog. Disappointed, she roared sophisticatedly that pivotal issues like taxes, status of the palace treasury and the upcoming royal party should have been ranked higher than the issue of a missing dog.
Bowed heads, the ministers, said in a rehearsed chorus that De Mallow’s missing dog’s issue was chosen by the chit system that Her Highness had herself started for providing a fair chance to everyone during these sessions. The Queen raised her gloved hand and her voice simultaneously, which made the quiet and meek looking ministers, quieter and meeker. The Queen politely, in a high pitch, suggested that they should pick another chit; everyone agreed unanimously.
With a picture perfect smile on her face the Queen picked up another chit and with an expression best caught in an old ugly portrait, she brusquely said, ‘Mary’s missing lamb’. Someone among the ministers gasped in horror.
Pathos
Little Mary loved her little lamb Pufo and refused to accept that his sudden absence meant that he was dead… probably it was the fox. She garbled many stories, which didn’t make any sense unless one also looked in her big blue eyes.
Mary’s blue eyes could hypnotise everyone without even intending to and thus, every day, every new fellow hypnotised, heard a new tale about Pufo’s absence. To me she told that her Pufo had gone to get her starry wand with which she will make this grey land glitter.
I believed her… her big blue eyes can’t lie. I too will wait for Pufo, I told her. She smiled through her eyes and said that the night Pufo left, both of them were watching the sparkling night sky and relishing the thought of a glittering land.
She asked me not to cry, because by then I was, and gave me some freshly made carrot cake. It was delicious, but still I couldn’t stop crying… maybe because she said that she had kept some for Pufo also. Oh little Mary!
Logos
I went to meet De Mallow, he too had lost his dog, can’t remember his name, nevertheless, like Pufo, he too deserved to be mourned for. My eyes were still glistening.
Me: Ello, De Mallow, old chap! Am sorry to hear about… about… your dog.
De Mallow: Hmm!
Me: When… how… a… so he is missing… Little Mary’s lamb is also missing.
De Mallow: My dog is not missing, he is dead.
Me: Now, now, don’t you say so De Mallow, cheer up, I heard that your case was discussed in the royal palace and the Queen will definitely…
De Mallow: I found the carcass yesterday night near my farm; eaten by a big animal.
I stood there stupidly with an awkward expression, gaping idiotically when De Mallow closed the door in my face.
The Wonderful Mr. Tambourine Man Song
A Short Fictive Take

[Source – Pixabay]
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A melody that sinks within and fades, ever so melodiously. A rhythm you follow till the end and beyond. Dreaming with open eyes, smiling and savouring it, singing along at times. Welcoming whole of it, embracing it silently.
Harmonic waves, from deep to a crescendo, spread its radiance. Transcending the terrific time, for one and all, it becomes ineffable and divine.
Meeting and merging, loving and caring, thoughtfully waiting to take the form of its true seeker.
Mr. Tambourine Man
– Bob Dylan
Hey! Mr. Tambourine Man, play a song for me
I’m not sleepy and there is no place I’m going to
Hey! Mr. Tambourine Man, play a song for me
In the jingle jangle morning I’ll come followin’ you
Though I know that evenin’s empire has returned into sand
Vanished from my hand
Left me blindly here to stand but still not sleeping
My weariness amazes me, I’m branded on my feet
I have no one to meet
And the ancient empty street’s too dead for dreaming
Hey! Mr. Tambourine Man, play a song for me
I’m not sleepy and there is no place I’m going to
Hey! Mr. Tambourine Man, play a song for me
In the jingle jangle morning I’ll come followin’ you
Take me on a trip upon your magic swirlin’ ship
My senses have been stripped, my hands can’t feel to grip
My toes too numb to step
Wait only for my boot heels to be wanderin’
I’m ready to go anywhere, I’m ready for to fade
Into my own parade, cast your dancing spell my way
I promise to go under it
Hey! Mr. Tambourine Man, play a song for me
I’m not sleepy and there is no place I’m going to
Hey! Mr. Tambourine Man, play a song for me
In the jingle jangle morning I’ll come followin’ you
Though you might hear laughin’, spinnin’, swingin’ madly across the sun
It’s not aimed at anyone, it’s just escapin’ on the run
And but for the sky there are no fences facin’
And if you hear vague traces of skippin’ reels of rhyme
To your tambourine in time, it’s just a ragged clown behind
I wouldn’t pay it any mind
It’s just a shadow you’re seein’ that he’s chasing
Hey! Mr. Tambourine Man, play a song for me
I’m not sleepy and there is no place I’m going to
Hey! Mr. Tambourine Man, play a song for me
In the jingle jangle morning I’ll come followin’ you
Then take me disappearin’ through the smoke rings of my mind
Down the foggy ruins of time, far past the frozen leaves
The haunted, frightened trees, out to the windy beach
Far from the twisted reach of crazy sorrow
Yes, to dance beneath the diamond sky with one hand waving free
Silhouetted by the sea, circled by the circus sands
With all memory and fate driven deep beneath the waves
Let me forget about today until tomorrow
Hey! Mr. Tambourine Man, play a song for me
I’m not sleepy and there is no place I’m going to
Hey! Mr. Tambourine Man, play a song for me
In the jingle jangle morning I’ll come followin’ you
Listen to this wonderful song {a live performance that I love} –
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Opposite the Nadir
Short Lyrical Prose

[Source – Pixabay]
The igneous surface I am walking on has a tremendous sound stored in it, but in a dense state so that the land appears dead.
The colour is thick black; it stains me anew with every step that I take, entering breath by breath within.
Smog-heavy mood, like heavy chains, has made me hunchbacked. Hollow quietude stays along, walking next to my faint shadow.
I utter nothing, nothing at all – all noise is of the wind; the wind ruffles around greasily, overwhelming me with dullness.
The mind is whimsical, I tell myself after some days’ journey; I continue ahead.
Where to, I ask, am I going?
That was the last I heard from myself.
But I am still walking, walking towards what lies opposite the nadir.
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Life-Affirming Pair of Socks with Three Holes in It
Literary Nonsense
Eddy told me, spiritedly, after watching a documentary on how the cells function in our body, that he has found his long lost faith in life.
I could sense his words were imbued with this newly found faith.
Great, I thought. Just then he saw my socks and before I could utter a single word to appreciate his metamorphosis, he politely questioned and shockingly answered, “three holes in this pair of your socks?!”
Eddy went back to his room; I wonder how many months will he take this time to recuperate fully.
Anyway, so I checked my socks and somehow the holes in it made me believe that if this can work, anything can.
Dears, today I am working with this positivity in life. Thanks to the pair of socks with three holes in it.
Who, Eddy? Oh! No, he is still in the room. But that’s life.
Cheers!

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Nazo’s Simple Magic Trick
Flash Fiction

[Source – Pixabay]
Nazo believed in magic. While the stories about djinns and fairies and magic potions made her wonder, the everyday sundry experiences also left her mesmerized. She was a simple person who felt special about simple things like the sun peeping out from behind the dark rainy clouds.
I told her once a sad story, intentionally, I wanted her to cry. It was a made-up tale about a little dog that lost its way home and died of starvation. Before I could make it sound more pathetic, I saw tears in Nazo’s eyes. Mission accomplished, thought I, until Nazo did something magical.
She asked me about the dog and I fabricated the cute brown dog, with black ears and kohl eyes. Suddenly, Nazo jumped up and started clapping. She told me to follow her and we both ran down to old Mr Tolkien’s house. What I saw there was as mysterious and as astonishing as a miracle.
Nazo went ahead right into Mr Tolkien’s garden and brought a cute brown dog in her arms, it had black coloured ears and kohl eyes. She announced that Mr Tolkien found the starved dog yesterday near the abandoned park and brought him home.
While coming back, I, filled with a concoction of emotions (specifically foolishness), told Nazo the truth; that it was a fake story and I meant only to make her cry because of her utter belief in magic in life suffocated me. Nazo laughed at me and didn’t say a word. She then hugged me, if I remember correctly.
After a few days, Nazo gave me a card (she loved making cards), a lovely one with colourful flowers and bright butterflies. She had written a few lines inside, apart from wishing me a happy day, that I can never forget; it read, “Magic is real for me, maybe because I try to see things from the earth’s point of view – a beautiful blue-green lonely planet – something magical is happening for sure”.
Since then, I too have started to believe in magic.
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